{"title":"Criterion Collection","description":"\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003eDiscover cinema at its finest with The Criterion Collection, where legendary classics, international masterpieces, and groundbreaking independent films get the attention they deserve. From Hollywood's golden age to modern favorites, Criterion brings together beautifully restored films, thoughtful special features, and editions made for people who truly love movies. Whether you're discovering a masterpiece for the first time or revisiting an old favorite, there's always something worth adding to your collection.\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"body-heat-the-criterion-collection-4k-uhd","title":"Body Heat (The Criterion Collection) [4K UHD]","description":"\u003cp\u003e\u003cb\u003eBrand:\u003c\/b\u003e The Criterion Collection\u003c\/p\u003e\u003cp\u003e\u003cb\u003eBinding:\u003c\/b\u003e blu_ray\u003c\/p\u003e\u003cp\u003e\u003cb\u003eFormat:\u003c\/b\u003e 4k\u003c\/p\u003e\u003cp\u003e\u003cb\u003eRelease Date:\u003c\/b\u003e 19-05-2026\u003c\/p\u003e\u003cp\u003e\u003cb\u003eDetails:\u003c\/b\u003e With his debut feature, acclaimed writer-director Lawrence Kasdan brilliantly updated the conventions of 1940s film noir for the 1980s, resulting in one of the steamiest and most influential erotic thrillers ever made. On the sultry South Florida coast, lawyer Ned Racine (William Hurt) is drawn into a torrid affair with unhappily married housewife Matty Walker (Kathleen Turner, in a star-making performance)—and it’s not long before they’ve hatched a scheme to murder her wealthy husband. 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In four decades of directing, Samuel Fuller created a legendarily idiosyncratic oeuvre, examining U.S. history and mythmaking in westerns, film noirs, and war epics. And, characteristically, it all began with a bang: after “printing the legend” with the elegant B pictures I Shot Jesse James and The Baron of Arizona, he got himself into hot water with the FBI with The Steel Helmet, the first American movie to portray the Korean War. These three independent films—showing off Fuller’s genre diversity, gutter wit, and subversive force—set the stage for his controversial career in moviemaking.\u003cbr\u003e\n\u003cbr\u003e\nINCLUDES An essay by film critic Nick Pinkerton\u003cbr\u003e\nI SHOT JESSE JAMES\u003cbr\u003e\n\u003cbr\u003e\nAfter years of crime reporting, screenwriting, and authoring pulp novels, Samuel Fuller made his directorial debut with the lonesome ballad of Robert Ford (played by Red River’s John Ireland), who fatally betrayed his notorious friend Jesse James. 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In velvety black and white, Boy Meets Girl evokes a surreal nocturnal Paris populated by lost souls and wandering misfits, including Alex (Denis Lavant), a disaffected would-be filmmaker whose girlfriend has just left him for his best friend, and Mireille (Mireille Perrier), an aspiring actress nursing her own heartbreak. Drawn together by fate, they share a moment of intense, fleeting connection as bright-burning and ephemeral as youth itself.\u003cbr\u003e\n\u003cbr\u003e\nMAUVAIS SANG\u003cbr\u003e\nWith his exhilarating second feature, Leos Carax infuses a neonoir scenario with a delirious strain of doomed romanticism for a tour de force of avant-pop invention. Amid the spread of STBO—a sexually transmitted disease acquired by having sex without emotion—a young ex-con (Denis Lavant) is recruited by a veteran criminal (Michel Piccoli) to steal the antidote, only to find himself entangled in a dangerous affair with his new associate’s lover (Juliette Binoche). 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Determined to put his revolutionary cinematic ideas into practice, he brings his small crew and two stars—an eager unknown named Jean-Paul Belmondo (Aubry Dullin) and wary Hollywood expat Jean Seberg (Zoey Deutch)—onto the streets of Paris to shoot Breathless, an adventure in unfettered creativity that would soon upend the way movies are made. 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Bending disparate genres to his will, he imbued his creations with a cuttingly ironic worldview and an iconographic, mesmerizingly precise visual style, probing the anxieties, enigmas, and horrors of the twentieth century with a coolly devastating eye. 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